Google Omnila guía completa de prompts

Crea un video de 6 segundos en toma cenital fija (top-down shot) con estilo de animación stop-motion de plastilina hecha a mano. Dos manos reales entran a cuadro y van colocando sobre una superficie de plastilina color crema palabras enteras esculpidas en plastilina, gruesas y con huellas de dedos visibles, que se aplastan ligeramente al presionarlas contra la superficie. Las palabras aparecen una por una, en orden: "GOOGLE OMNI" en letras de colores (azul, rojo, amarillo, verde), luego "EL MEJOR" en plastilina blanca, y al final "PARA ESTO" en plastilina negra, hasta que la frase completa queda armada en pantalla. Añade decoraciones de plastilina: una estrella, una flecha ondulada y puntitos de colores que aparecen y tiemblan cuadro a cuadro. Efectos visuales: movimiento stop-motion entrecortado a 12 fps, vibración sutil entre cuadros como animación hecha a mano, luz de estudio suave con sombras delicadas, textura de plastilina visible en toda la superficie, cámara completamente estática.

Create a 3-second video with a bold mixed-media collage style and a stop-motion animation feel. Over a background of bold flat colors (red, acid yellow, black) with crumpled paper textures, newspaper clippings and halftone dots, aggressive kinetic paper-cutout typography in ransom-note style with rough torn edges appears on screen: the words "MEJORES TEXTOS" stamp in one by one — first "MEJORES" in massive white paper letters on a black block, then "TEXTOS" highlighted on strips of colored tape. Add collage stickers, hand-drawn scribbles, arrows and flat emojis with hard drop shadows popping in frame by frame around the text. Visual effects: subtle camera shake, glitches and chromatic aberration, choppy stop-motion movement at 12 fps.

Edit this video while preserving the exact original timing, voice, lip sync, facial expressions, eye movement, body language, camera framing, and pacing. Analyze the audio and synchronize all graphic movement to the spoken phrase: "esta edición y motion graphics no se hicieron con after effects".

Identity preservation: Do not replace the person. Do not generate a new face. Preserve the exact identity from the source video. Preserve facial structure, hairstyle, skin tone, age, clothing, expressions, lip sync, voice, timing and body language. Every cutout, collage version or stylized version must use the same person extracted from the source video.

Visual style INSPIRED BY @img1 : Transform the video into a bold editorial mixed-media sports-poster collage with a bright cobalt blue background, high-contrast black-and-white printed subject, thick white paper-cut border, flat colorful vector graphics, playful pop-art shapes, handmade paper texture and energetic poster composition.

Subject treatment: Isolate the speaker as a black-and-white printed paper cutout. Keep the subject fully recognizable and preserve perfect lip sync. Add a thick irregular off-white border around the silhouette, like a sticker or magazine cutout. Add subtle paper shadow behind the cutout so it feels physically layered on top of the background.

Background: Use a flat saturated blue background with subtle paper grain and print texture. Behind the subject, add a large red flame-shaped graphic with soft pink offset edges. Place bold yellow lightning bolts, yellow starbursts, green stars, pink star shapes, black-and-white checkerboard corners, and abstract black-and-white striped graphic shapes around the frame. Keep all elements behind or around the subject without covering the face or mouth.

Text / typography: Remove all typography, captions, labels, subtitles and written words. Do not add any readable text anywhere in the video. Use only visual motion, color, shapes, texture and graphic elements.

Motion / animation: Animate the graphics with fast but clean editorial motion: lightning bolts pop in, stars bounce slightly, the red flame shape pulses behind the subject, checkerboard shapes slide in from the corners, striped abstract shapes wiggle frame by frame, and paper cutout edges jitter subtly like handmade stop-motion. Sync the graphic impacts to the rhythm and emphasis of the voiceover, especially on "no se hicieron con after effects".

Camera: Use centered poster-style framing with subtle push-ins, quick snap zooms, small handheld paper movement, rhythmic punch-ins and slight parallax between the cutout subject and the background elements. Keep the speaker readable at all times.

Texture: Add visible paper grain, photocopy noise, ink speckles, printed halftone texture, rough cutout edges, soft collage shadows and slightly imperfect handmade alignment. The subject should feel printed, scanned and pasted onto a colorful poster.

Color palette: Use cobalt blue as the dominant background color, bright red and pink for flame shapes, vivid yellow for lightning bolts and starbursts, green for stars, black and off-white for checkerboard and striped elements, and high-contrast grayscale for the speaker.

Final result: The final result should feel like a premium animated pop-art editorial collage created by a top motion design studio, with no text at all, only bold graphic elements, while preserving the original speaker's identity, voice, performance, timing and lip sync perfectly.

Edit this video while preserving the exact original timing, voice, lip sync, facial expressions, eye movement, body language, camera framing, and pacing. Analyze the audio and synchronize every graphic hit to the phrase being spoken: "esta edición y motion graphics no se hicieron con after effects".

Identity preservation: Do not replace the person. Do not generate a new face. Preserve the exact identity from the source video. Preserve facial structure, hairstyle, skin tone, age, clothing details visible near the neck, expressions, lip sync, voice, timing and body language. Every cutout, floating head, duplicated version, collage version or stylized version must use the same person extracted from the source video.

Visual style: Transform the video into a raw editorial mixed-media hip-hop poster aesthetic: intense solid red background, high-contrast black-and-white paper cutout subject, rough handmade graffiti strokes, aggressive marker lettering, scribbles, scratches, white doodle outlines, torn paper edges, photocopy texture and chaotic street-zine energy.

Subject treatment: Remove the body entirely and keep only the speaker's head floating in the center. The head must look like a rough paper cutout with visible white torn-paper border around the silhouette. Add a subtle tactile shadow underneath the floating head. Keep the head fully recognizable and preserve perfect lip sync. Paint stylized black sunglasses directly over the subject's eyes, with red handwritten scribble marks reflected inside the lenses, while keeping the face identity readable.

Background: Use a flat saturated red background. Add animated red-on-red scratches, rough paint streaks, scuffed marks and chaotic texture appearing behind the head. Layer bold black graffiti marks and abstract oversized lettering around the subject without covering the face.

Text / typography: Animate the following text exactly as written:

"esta edición y motion graphics no se hicieron con after effects"

Use rough black handmade marker typography, mixed with white chalk-like accent strokes. The typography should feel hand-drawn, imperfect, aggressive and editorial, with stretched letters, rotated words, uneven spacing and fast kinetic placement. Preserve the exact wording and language supplied by the user. Do not translate, correct or rewrite the text. Synchronize the words perfectly with the voiceover.

Motion / animation: Animate everything with handmade stop-motion jitter, fast cutout pops, frame-by-frame scribble reveals, rough paper shake, marker strokes drawing themselves on screen, red scratches flashing in the background, white doodles pulsing around the head, and kinetic typography snapping in with strong rhythm. Add visual emphasis when the audio says "no se hicieron con after effects" using a quick punch-in, bold black text impact and chaotic white scribble burst.

Camera: Use punch-ins, snap zooms, slight handheld shake, quick push-ins, crash zoom accents and sharp editorial framing. Keep the floating head centered most of the time, with small rhythmic shifts following the voice cadence.

Texture: Add visible paper grain, photocopy noise, halftone speckles, torn paper edges, marker ink bleed, rough brush scratches, chalk lines, white hand-drawn outlines and tactile collage shadows. The edit should feel physical, handmade and scanned.

Color palette: Use saturated red as the dominant background color, deep black for graffiti and typography, off-white/white for cutout outlines and doodles, grayscale for the subject, and small red accents inside the painted sunglasses.

Final result: The final result should feel like a premium editorial motion graphic created by a top motion design studio with a rebellious handmade collage aesthetic, while preserving the original speaker's identity, voice, performance, timing and lip sync perfectly.

Edit this video while preserving the exact original timing, voice, lip sync, facial expressions, body language, camera framing, and pacing. Do not replace the speaker or generate a new face. The person must remain the exact same individual extracted from the source video, preserving their identity, hairstyle, clothing, skin tone, facial structure, and every recognizable feature throughout the edit.

## TEXT TO ANIMATE (USE EXACTLY AS WRITTEN)

"Esta edición y motion graphics no se hicieron con After Effects."

## VISUAL STYLE

Transform the video into a premium minimalist editorial motion graphic inspired by modern graphic design portfolios and handcrafted marker illustrations.

The subject remains mostly monochrome with a clean, high-contrast black-and-white treatment.

Place the speaker over a bright white or slightly off-white studio background with subtle paper texture and soft realistic shadows.

The overall composition should feel elegant, spacious, minimal, and highly designed, with lots of negative space surrounding the speaker.

## HAND-DRAWN ILLUSTRATIONS

As the speaker talks, continuously animate hand-drawn black marker doodles around them as if they are being illustrated in real time.

The drawings should appear stroke-by-stroke with natural marker imperfections.

Animate:

- arrows
- scribbles
- spirals
- circles
- stars
- zig-zag lightning bolts
- sketch lines
- rough marker strokes
- geometric doodles
- playful symbols
- underlines
- motion lines
- abstract graphic accents

Occasionally introduce blue marker doodles as subtle accent elements while keeping the design predominantly black and white.

The doodles should react to the speaker's movements by wrapping around the shoulders, following hand gestures, pointing toward the face, circling important expressions, and bouncing naturally with the rhythm of the speech.

## KINETIC TYPOGRAPHY

Synchronize every spoken word perfectly with the narration.

Every phrase should animate as if it is being handwritten with a thick black marker directly onto the background.

Use expressive handwritten typography with authentic marker texture, varying pressure, rough edges, and natural imperfections.

Animate the script exactly like this:

"Esta edición"
appears handwritten above the speaker.

"y motion graphics"
writes itself beside the speaker with energetic marker strokes.

"no se hicieron"
appears underneath with playful underlines and sketch arrows pointing toward the subject.

"con After Effects."
appears as the largest handwritten phrase in the composition.

Immediately after it finishes writing, a thick hand-drawn marker X rapidly crosses out the words "After Effects", followed by additional sketch arrows, circles, and energetic doodles emphasizing the message.

## ANIMATION

Everything should feel handcrafted.

Use:

- 12 FPS stop-motion aesthetic
- no motion blur
- frame-by-frame animation
- subtle handmade jitter
- marker redraw imperfections
- paper-like movement
- organic bounce
- slight vibration

The drawings should constantly evolve while remaining clean and readable.

## CAMERA

Use dynamic editorial camera language:

- subtle push-ins
- punch-ins
- snap pullbacks
- gentle handheld movement
- slight crash zooms for emphasis

Keep the speaker centered as the primary focus while the illustrations build around them.

## TEXTURES

Add subtle paper grain, photocopy texture, marker ink bleed, soft print imperfections, and light paper fibers.

Everything should feel tactile without becoming visually noisy.

## COLOR PALETTE

Primary:
- White
- Black

Accent:
- Electric Blue

The blue should only be used occasionally for emphasis while black remains the dominant illustration color.

## FINAL RESULT

The finished video should look like a premium Behance or Dribbble motion graphics showcase where a real person is surrounded by beautifully animated handwritten illustrations and kinetic typography. The style should be clean, playful, modern, editorial, handcrafted, and highly polished, while preserving the speaker's original identity, voice, timing, facial performance, and natural movement perfectly.

Edit this video while preserving the exact original timing, camera movement, facial performance, lip sync, voice, pacing, and body movement. Do not replace the person or generate a new face. The subject must remain the exact same individual extracted from the source video. Preserve the person's identity, facial features, hairstyle, clothing, expressions, and body proportions throughout the edit.

Redesign the entire video into a premium editorial mixed-media collage motion graphic with a handcrafted stop-motion aesthetic, as if it were created by a world-class motion design studio. Every frame should feel like a physical composition made from torn paper, printed photographs, masking tape, rubber stamps, handwritten notes, magazine layouts, halftone printing, paper textures, photocopy imperfections, and bold editorial graphics.

Transform the speaker into a paper cutout character with realistic torn-paper edges and subtle drop shadows. Throughout the edit, continuously reuse the speaker as multiple collage elements: full-body paper puppet, floating head cutouts, close-up portrait cutouts, Polaroid frames, and layered editorial compositions. Every duplicated element must use the exact same face from the original video.

Animate everything with a 12 FPS handcrafted stop-motion look. No motion blur. Use intentional frame-by-frame jitter, snappy object repositioning, visible paper sliding, slight drop-shadow movement, and tactile handmade imperfections. Every movement should feel physically animated by hand.

The camera should remain extremely dynamic, using rapid punch-ins, crash zooms, whip pans, snap pullbacks, rotating collage-board transitions, and close-up macro shots of paper fibers, torn edges, masking tape, ink stamps, and halftone textures.

Synchronize typography perfectly with the voiceover. Every spoken word appears individually using oversized condensed editorial fonts with distressed stamp textures, paper labels, handwritten marker notes, and bold kinetic typography. Important words should slam onto the screen with paper impact, slight bounce, rough ink texture, and stop-motion jitter. Highlight emphasis words using Electric Green.

For the line:

"Esta edición y motion graphics no se hicieron en After Effects."

Continuously enrich every frame using:

torn paper layers
masking tape
transparent tape
handwritten arrows
circles
stars
crosses
scribbles
editorial labels
rubber stamps
ink splashes
halftone textures
magazine cutouts
photocopy noise
paper grain
distressed print textures
geometric shapes
white marker doodles

Throughout the edit, frequently introduce floating duplicate head cutouts reacting to the narration, Polaroid photos slapping onto the screen, and full-body paper versions of the speaker moving like articulated stop-motion puppets. Every duplicate must preserve the original person's exact likeness.

Transitions should consist of torn-paper wipes, tape peel reveals, rotating collage boards, stop-motion object swaps, paper rip transitions, editorial smash cuts, layered paper slides, and whip-pan edits that maintain a fast, energetic rhythm.

The overall pacing should feel bold, tactile, cinematic, playful, premium, handcrafted, and visually dense—similar to a high-end editorial campaign where every frame is filled with intentional graphic design, layered collage elements, kinetic typography, and handcrafted stop-motion animation, while preserving the original speaker's performance exactly.

Edita este video, mantén mis movimientos y el tiempo iguales, pero rediseña todo el video como un atrevido collage de medios mixtos con una sensación de animación stop-motion. Recórtame como una silueta de alto contraste con un borde de recorte de papel rugoso alrededor mío, sobre un fondo de colores planos audaces (rojo, amarillo ácido, negro) con texturas de papel arrugado, recortes de periódicos y puntos de semitono. Añade tipografía cinética agresiva, palabras audaces masivas que aparecen una por una exactamente sincronizadas con mi discurso, palabras de acento resaltadas en cinta de colores. Las palabras habladas son, en orden: "Esta edición la puedes hacer en un minuto y sin saber nada de motion graphics, gracias al nuevo Google Omni". Añade pegatinas de collage, garabatos dibujados a mano, flechas y emojis planos con sombras proyectadas. Efectos visuales: temblor sutil de la cámara, fallos y aberración cromática, movimiento stop-motion entrecortado a 12 fps. Mi voz y el audio original permanecen exactamente como en la fuente.

Edita este video, mantén mis movimientos y el tiempo iguales, pero rediseña todo el video como una grabación VHS casera de los 90 intervenida con rotulador y calcomanías. Mantenme en imagen real pero con saturación quemada, sangrado de color y líneas de tracking, sobre fondos que alternan azul de pantalla de "NO SIGNAL", estática de televisión y cortinillas de video club. Añade tipografía cinética estilo titulador de videocasetera: palabras enormes en fuente de subtítulo CRT con sombra dura que aparecen una por una exactamente sincronizadas con mi discurso, palabras de acento parpadeando en verde fósforo con recuadro "REC ●". Las palabras habladas son, en orden: "Esta edición la puedes hacer en un minuto y sin saber nada de motion graphics, gracias al nuevo Google Omni". Añade timestamp de esquina, íconos de PLAY/PAUSE, flechas de plumón sobre la pantalla y stickers holográficos. Efectos visuales: rebobinado glitcheado, desgarro de cinta, ruido de crominancia, viñeta de tubo curvo. Mi voz y el audio original permanecen exactamente como en la fuente.

Modifica la ropa de mi sujeto para que tenga un traje rojo y máscara de Spiderman como el de mi @image_1 mientras camina. Mantén los movimientos del sujeto exactamente igual, el audio y los movimientos de la cámara igual.

Cambia la hora del día de mi escena: que sea de noche y el sujeto esté iluminado por una luz dura roja. Mantén los movimientos del sujeto exactamente igual y los movimientos de la cámara igual.

Modifica mi escena para que, mientras el sujeto camina y habla, un gran monstruo marino como el de @image_1 salga del mar generando una gran ola y acercándose al sujeto. Mantén los movimientos del sujeto exactamente igual y los movimientos de la cámara igual.

Visual Style:
Realismo UGC, video grabado con cámara frontal de smartphone en modo selfie, luz solar dura de mediodía, ligero destello de lente cuando el sol entra al cuadro. Gran angular 24mm equivalente, profundidad de campo amplia, micro-ajustes visibles de autofoco. Textura de compresión digital ligera, colores naturales saturados, altas luces quemadas por el sol.
Camera Behavior: cámara sostenida a la distancia de un brazo, temblor natural de mano, jump cuts rápidos entre encuadres.

Environment:
Campo de fútbol de pasto natural de día, césped verde corto con líneas blancas pintadas, portería desenfocada al fondo, cielo despejado brillante. Sonido ambiente: viento leve golpeando el micrófono del teléfono, pájaros lejanos.

Figura based on @image_1: hombre con lentes de aviador metálicos, chamarra azul marino con cierre, camiseta blanca, cabello negro peinado hacia atrás. Sostiene en la mano los tacos de fútbol de @image_2, color verde volt con detalles negros y suela con tacos.

Acción:
La figura graba en modo selfie de pie sobre el pasto, mirando directo al lente; levanta los tacos de @image_2 a la altura de su rostro. Figura dice: "Este soy yo haciendo un unboxing". Jump cut a encuadre más cercano: gira los tacos mostrando la suela hacia el lente bajo el sol, el destello cruza el cuadro. Figura dice: "de estos tacos, usando Google Omni". Jump cut final a plano selfie más abierto: señala los tacos con la otra mano y asiente a cámara. Sonido: voz directa al micrófono del teléfono, viento intermitente, roce del pasto.